Beetlejuice The Musical Tickets

Based on Tim Burton’s beloved 1988 film, Beetlejuice the Musical turns the story of Lydia Deetz, the Maitlands and everyone’s favourite undead troublemaker into a riotous rock-infused musical. With music and lyrics by Tony Award-nominee Eddie Perfect, the score swings between darkly comic showstoppers, emotional ballads and huge ensemble numbers. Beneath all the chaos, the songs explore grief, growing up, family, death and the rather complicated business of being alive. From Lydia’s heartbreaking introduction to Beetlejuice’s gloriously unhinged numbers, here’s your guide to the songs in Beetlejuice the Musical. Beetlejuice the Musical Act 1 songs Prologue: Invisible The musical has a sombre start, with Lydia Deetz mournfully belting out this ballad at her mother’s funeral. Grieving and struggling to connect with her increasingly distant father, Lydia feels as though nobody really sees her. The opening number establishes her emotional journey, and we also get a sneak peak at a certain pinstriped poltergeist lurking in the shadows… The Whole ‘Being Dead’ Thing And suddenly, things get considerably less sombre. Beetlejuice takes centre stage to explain the rules of death, the afterlife and what audiences can expect from the show. With its rapid-fire jokes and infectious rock energy, the number immediately establishes the demon’s chaotic personality – and makes it clear that death is going to be treated rather differently here. Les Miserables this is not.  Ready, Set, Not Yet Adam and Barbara Maitland are introduced as an ordinary, happily married couple whose quiet life is missing one thing: a child. Their attempts to shake things up take a rather unfortunate turn when an accident leaves them very much dead. The upbeat number provides a comic introduction to the colourless couple before their lives change forever. The Whole ‘Being Dead’ Thing, Pt. 2 & Pt. 3 Being dead comes with a surprisingly complicated set of rules. Beetlejuice introduces Adam and Barbara to the strange world of the afterlife and explains that their beloved home is about to have new occupants: the Deetz family.  Dead Mom The mood shifts dramatically as Lydia confronts the grief she has been carrying since her mother died. Feeling isolated from her father, she desperately wants some kind of connection with the woman she has lost. “Dead Mom” is one of the show's most emotional moments, if not the most subtle, giving Lydia space to express the anger, sadness and confusion beneath her gothic exterior. Fright of Their Lives Adam and Barbara are supposed to become frightening ghosts, but terrifying people doesn't come naturally to the sweet-natured couple. Beetlejuice attempts to bring out their darker sides, with varied results. Warning: some bedsheets are harmed in the making of this song. Ready, Set, Not Yet (Reprise) Adam and Barbara decide that being ghosts might be the perfect excuse to stop playing it safe, and ironically they start to live (the after)life to the max. Their reprise sees them embracing the idea of taking risks and becoming more adventurous – even if they are still figuring out exactly how to do that. No Reason Enter Delia, Lydia's relentlessly positive life coach and her father's new partner. While Delia believes there is a positive spin on everything, Lydia isn't particularly convinced. Their contrasting outlooks make for a wonderfully sarcastic number, while Lydia's discovery of the Maitlands adds another layer of supernatural chaos to the Deetz household. Fans of Wicked’s “What Is This Feeling?” will love this number.   Invisible (Reprise) / On the Roof After being banished, Beetlejuice finds himself stuck without a way out. Then he notices Lydia on the roof, and crucially, she can actually see him. For Beetlejuice, this is an exciting discovery: he may finally have found someone who can communicate with him. For Lydia, however, the encounter comes at a much darker moment as she struggles with her grief. Say My Name One of the show's biggest musical moments, “Say My Name” brings Lydia and Beetlejuice together in a spectacular supernatural duet. Beetlejuice wants Lydia to summon him by saying his name three times, while Lydia remains understandably suspicious of his motives. The Maitlands get involved too, creating a high-energy number about deals, trust and the dangers of inviting a demon into your life. Day-O (The Banana Boat Song) A familiar tune from the original Beetlejuice film makes its way onto the stage in spectacular fashion. During the Deetz dinner party, the guests suddenly find themselves caught up in a supernatural possession, resulting in a wonderfully bizarre musical sequence. What begins as a terrifying incident ends up giving the Deetzes a surprisingly lucrative idea for their property.

Four-time Olivier Award nominee Summer Strallen is heading to the Netherworld, joining the cast of Beetlejuice The Musical as the eccentric and endlessly optimistic Delia Deetz for a strictly limited engagement in the West End. Strallen will take over the role from Aimie Atkinson from 3 August until 2 November 2026 at the Prince Edward Theatre. Atkinson will temporarily leave the production to make her Broadway debut, reprising her Olivier Award-nominated performance as Katherine Howard in SIX at the Lena Horne Theatre, before returning to Beetlejuice on 3 November. Known for her acclaimed performances in Top Hat, Love Never Dies, Young Frankenstein, The Sound of Music and CATS, Strallen joins the hit musical as Delia, the crystal-loving, self-help guru whose unconventional outlook brings plenty of chaos to the Deetz family.

London’s West End is always buzzing with internationally renowned shows. But with so much to choose from, how do you know what theatre is worth seeing in London right now? Whether you’re looking for the best musicals in London or you just want know what the current theatre shows in London are, stick with us. What’s the best musical in London right now? There are so many stand-out shows that it’s hard to pick just one. So here are our top 5 must-see theatre shows in London. Hamilton Nine years after opening, Hamilton is still one of the top trending West End musicals - with good reason. Lin-Manuel Miranda’s rapped-through historical biographical musical (try saying that five times) is unique, clever, fast-paced, and gripping. Telling the story of Founding Father Alexander Hamilton, we follow the intelligent, charming, and annoying man from his early days in New York through the American Revolution, and finally to his death. Watch as he helps George Washington defeat the British, create the Declaration of Independence, and eventually form the government which shaped the country. Featuring a diverse cast and a groundbreaking score, it’s unlike anything else on stage right now. Les Miserables It’s all well and good to want to see the new and trending West End musicals, but when something has been running for almost 40 years, just because it’s that good, you can’t go wrong. Les Miserables has been one of the top London stage shows since 1985, and is currently the longest-running musical in the world. Based on Victor Hugo’s novel of the same name, Les Mis is an epic tale of redemption, survival, and love set against the backdrop of the French Revolution. Telling the tale of Jean Valjean as he reenters society after a 19-year-long prison sentence, we see how one man’s determination for redemption can overpower persecution. With some of the most celebrated and loved songs in musical theatre history, it’s definitely earned its position in the top London stage shows list. Cabaret When Kander and Ebb first wrote Cabaret in 1960, they had no idea their daring show about an underground club in Berlin would strike a chord with so many people. Over 60 years later, Cabaret is still one of the hottest current theatre shows in London. By entering the Kit Kat Club, you’re becoming part of Cabaret. The immersive theatre show gives you a glimpse into 1920s Berlin - both from an artistic perspective and a political one. Enjoy a drink as the performers share their stories and make you feel like part of their tale. But be warned. Everyone leaves a little part of themselves at the Kit Kat Club and will want to return. Cabaret isn’t just a trending West End musical. Following Eddie Redmayne’s performance at the 2024 Tony Awards, the show has been a hot topic. Not only was the unique interpretation of the Emcee discussed heavily, but West End and Broadway stars have been drawn to the Kit Kat Club like moths to a flame. Is it your time to pay a visit to the Cabaret? The Book of Mormon Still fresh, cutting and relevant, The Book of Mormon is a must-see for comedy lovers. Written by South Park creators Matt Stone and Trey Parker, along with Avenue Q creator, Robert Lopez, The Book of Mormon is a razor-sharp satire that has had audiences shocked and delighted since 2013. Following two Mormon missionaries who are sent to Uganda to recruit members to the church, we see what happens when ideals are thrown out the window, and real-world problems are faced head-on. Featuring some of the catchiest, funniest, rudest songs to ever land on a West End stage, it’s consistently been one of the top London stage shows for the past 13 years. Six Six The Musical is an era-defying show. Retelling the tale of Henry VIII from the perspective of his wives, all in a singing contest setting… you couldn’t get more now if you tried. This 90-minute, straight-through show will have you feeling empowered and ready to take on the world. With a cult following, it is one of the top London stage shows for younger theatre-goers.

If the hulking glass drum that is Madison Square Garden was dropped in the heart of London’s West End for T&T's glittering starry wedding, and naturally, every musical theatre icon was in attendance, which loose cannons might find themselves left off the exclusive guest list; shooed away to the suburbs on a train with Blake Lively?  We've rounded up the 7 charmingly chaotic characters that most definitely fit the bill of undesired guest at the pop-culture wedding of the century.  The Phantom - Phantom of the Opera Obsessive, manipulative, and incapable of respecting boundaries, he’s just about the blueprint of a Tortured Poets anthem. And while we like to think Taylor would be taking a break from musical genius on her big day, we fear the Phantom provides too much fodder for lyrical inspiration - not only an undesirable guest but an unwelcome distraction.  Lucy the Slut - Avenue Q It’s safe to say she might not blend seamlessly into the Gen Z girlboss feminism that Taylor strives so hard to embody. Albeit Lucy is an excellent Showgirl in her own right, so maybe there’s a more appropriate stage for a meeting of the minds – less veils, more fishnets.   Celine Dion - Titanique Titanique’s very own Celine boasts an obvious lack of wedding etiquette in the sheer volume of her sexual innuendos and cringe-worthy lack of self-awareness. Likely just a touch too crass for this story-book affair. That being said, she might make a perfect MC should Sabrina Carpenter ever decide to tie the knot.  Mormon Missionaries - The Book of Mormon While something tells us this wedding party might be swarming with some Kansas Chiefs who are all about a bit of light-hearted Christian missioning, we fear these un-PC Mormons might fair less well; from a PR standpoint at least.

You know that old saying: "You've got to laugh, or else you'll cry"? It feels a little too close to home these days. Thankfully, London's theatre scene is packed with laugh-out-loud productions guaranteed to lift your spirits. Whether you're after razor-sharp satire, outrageous farce, clever wordplay or a musical comedy that'll leave your cheeks aching from smiling, you'll find it on the West End. Here's our guide to the best comedy theatre London has to offer, featuring the best West End comedy shows, hilarious musicals and the best comedy plays London audiences can't stop talking about. The Play That Goes Wrong Have the whole family in stitches with The Play That Goes Wrong. This masterclass in farce follows an accident-prone amateur theatre company attempting to stage The Murder at Haversham Manor - a murder mystery set in the 1920s not too dissimilar to The Mousetrap. Mischief Theatre's Olivier Award-winning production has been delighting audiences for over a decade at the Duchess Theatre, making it one of London's longest-running plays and one of the best comedy theatre shows London has ever seen. Expect collapsing scenery, flying props, forgotten lines, unexpected injuries and perfectly choreographed chaos from start to finish. Fancy your slapstick with a bit of snow? It’s a niche request, but Mischief has got you covered. Their Christmas show, Christmas Carol Goes Wrong returns to the West End, playing at the Wyndham’s Theatre from 18 December 2026.  Titanique What happens when you combine Titanic, Céline Dion and pure camp madness? You get the Olivier Award-winning, and Tony nominated, Titanique - one of the funniest musicals currently playing in the West End. With Céline herself (well, a wonderfully over-the-top version of her) retelling Jack and Rose's story through her greatest hits, this outrageous parody transforms one of cinema's biggest tearjerkers into comedy gold. Expect powerhouse vocals, absurd humour and iconic movie moments turned completely on their head. Showstopper! The Improvised Musical No two performances of Showstopper! The Improvised Musical are ever the same - and that's exactly what makes it brilliant. Audience suggestions inspire an entirely original musical every night, with the cast improvising songs, scenes and choreography on the spot. You'll even help shape the story by texting in ideas and voting on musical styles throughout the performance. It's an Olivier Award-winning theatrical experience that's unlike anything else in the West End and one of the best comedy theatre shows London has for repeat visits. Oh, Mary! Broadway's biggest comedy sensation has arrived in London. Oh, Mary! is the Tony Award-winning comedy that's become one of the hottest tickets on both sides of the Atlantic thanks to its sharp wit, outrageous humour and headline-making star casting. Written by Cole Escola, the show offers a wildly fictional take on Mary Todd Lincoln that's as delightfully absurd as it is hilarious. Before Jinkx Monsoon takes over the title role at the Trafalgar Theatre, Cole Escola will perform the titular character, making this an unmissable opportunity to see the creator bring their award-winning work to life. If you're looking for one of the best comedy plays London has welcomed from Broadway, this is it.

We’ve been waiting a lifetime for Beetlejuice the Musical to knock three times on West End's door, and just when we thought all hopes of a transfer were dead and buried, it came bursting from the netherworld (Broadway) and into the Prince Edward Theatre. Sandworms snake around the theatre's walls, plinky plonky carnival music blares, green and purple lights shine over the audience, and the iconic ‘Betelgeuse, Betelgeuse’ flashes in front of the curtain. Now that the production is finally here, it doesn’t waste a second in delighting (and disgusting) its audience. It’s showtime long before the curtains go up. Beetlejuice has had great success on the other side (of the pond), the 8x Tony Award nominated production started its (mortal) life in Washington before transferring to Broadway and then on to multiple US tours. The cult hit has been around for a while, but, unlike Mr Juice’s breath, the production is still fresh, with nods to current affairs and popular, modern, icons. The West End adaptation has also fully immersed itself in British culture. There are nods to Matilda and Paddington, with Andrew Lloyd Webber also getting a brief cameo - though not as favourable as the one in Jamie Lloyd's Sunset Boulevard… This isn’t a live action frame by frame of the 1988 film (“We’re straying from the source material!” David Fynn’s Beetlejuice exclaims early-on), but it’s all the better for it. For one, this Beetlejuice is featured far more than Michael Keaton's exorcist (the titular character only has 17 minutes of screentime). Unfortunately for Lydia’s mum, she’s dead in this one (as is so eloquently put in Lydia’s (Hannah Nordberg) ‘Dead Mom’ song).  Though the script has changed slightly - dodgy wiring sends the Maitland’s (Waitress co-stars David Hunter and Chelsea Halfpenny are reunited in life (and death) as the doomed couple) into Beetlejuice’s realm, and Delia is now a life coach, not a sculptor - the show has kept all of the best moments from the film. We see the dead football team, a secretary who smokes through her trachea, Bob makes a brief appearance, and we get a longer rendition of the Banana Boat Song (Day-O) and Jump in the Line (Shake, Senora). You definitely won’t feel short changed.   

Say Beetlejuice three times and new production shots of Beetlejuice the Musical shall appear! And we are living for these production shots, showing off the staging of our nightmares at the Prince Edward Theatre.

Tim Burton's iconic movie Beetlejuice, about ghosts who get stuck in their house after an untimely accident, gets a musical makeover and arrives at the Prince Edward after enjoying huge success on Broadway. The design for the house is apparently mind-blowing, the visual effects a treat and the show is apparently canny enough to know what to mess with from the original and what to leave because it is just so. Sure, this is part of a Broadway and West End trend for nostalgia, but by all accounts, this is a show that knows how to press all the right buttons and does it with finesse. And a great sense of humour.  Nine Sixteenths (Brixton House) of a second was the length of time that Janet Jackson’s breast was exposed on live TV during the half-time Super Bowl concert in 2004. But the negative impact on her career lasted for years. Ace theatre-maker Paula Varjack and an all-black female ensemble consider the story from many angles and take the audience on a wild ride through early '00s pop culture, the early days of YouTube and how black women and their bodies are represented and policed.

David Fynn is a British-Irish actor, producer and screenwriter. He trained at the Webber Douglas Academy of Dramatic Art. He also has a shared podcast with his wife called The Baby Making Business, where they discuss their fertility and IVF journey. His next step is to take on the role of Beetlejuice in the much anticipated West End transfer.

Say Beetlejuice three times and the West End transfer shall appear! Take a trip to the after life this Spring with this stellar cast taking on these spooktacular characters at the Prince Edward Theatre. Book your official tickets here.